Saturday, 23 January 2016

The Gift: Bygones Are Not Bygones.

The Gift is a horror/thriller film that is written and directed by Joel Edgerton. He also stars in it with odd auburn hair and eyes that in certain lights look almost black. It also stars Jason Bateman as Simon and a great Rebecca Hall as Robyn. It’s about a couple who move into a new house & whilst out buying new furniture they run into a man from Simon’s old high school. His name is Gordo, or as Simon used to call him ‘Weirdo’. The film follows the couple as they have Gordo’s friendship ‘forced’ on them. It was a pretty enjoyable film, for the most part.
The film is more about suspense, the general feeling of unease around Gordo and ultimately about how much of an arsehole Simon is. As his wife tells him, he was a bully when he knew Gordo at school and he still is now. It’s this bullying aspect of his personality that led Gordo to stalk the couple, to force himself into their lives with presents and social awkwardness. This is the part of the review where I spoil the film for you so I can review it so if you haven’t already watched it but were planning to then I’d come back when you’re done. When Simon and Gordo were at school Simon, being the bullying nightmare that he is, decided one day to spread a rumour that Gordo is gay, thus ruining his life.
Seems as them being kids was a few decades ago having a rumour that you’re gay was even worse then than it is now – and it can still be pretty terrible now, which is an understatement. So he was mercilessly bullied and in the end Gordo’s father tried to kill him. Simon really didn’t seem too bothered by this fact, happy to shrug it off as having nothing to do with him. Apparently in his world everyone is responsible for their own actions, apart from him of course. Now all of this is revealed slowly, in a great way and with a stunning performance given from Rebecca Hall. Her character Robyn tries hard to give Gordo the benefit of the doubt, she tries to defend him & really be his friend. This is why the ending is so fucking annoying.
As the film goes on Robyn is pregnant and in the end she gives birth, she had had a pregnancy before but it hadn’t worked out. Sadly she has realised that her husband is a totally nasty piece of work by the time she gives birth so it’s all a bit of a mess. So we’ve spent the film getting to know Robyn as she works from home, we learn that she’s a woman who is caring and smart and oh how the film then decides that she is worth nothing. Less than nothing, she’s now firmly Simon’s Wife and that’s that. You see after Simon has beat the crap out of Gordo & told him to stay out of their lives forever that is when Gordo puts his final plan into place to truly fuck Simon over.
It goes a little something like this: Gordo has been breaking into their home and filming him watching Robyn, earlier in the film we see Robyn struggle with a pill addiction and one day she randomly collapses, nothing really happens and she wakes up a bit confused; but we find out that that’s not at all what happened as actually Gordo drugged her, and while she was knocked out he, whilst wearing a monkey mask – Simon has a phobia of monkeys – films himself touching Robyn and moving her onto a bed, then the recording stops. So Simon, furious and petrified that Gordo has raped his wife, he runs to her to see if she’s okay and tells her all about it and see’s if she’s scarred for life. Oh wait, that’s not at all what happened is it. No because if it was I wouldn’t be writing this.
So after the recording stops Simon, furious, goes to the hospital where his new-born son and wife are and Gordo calls him up after Simon fails to catch him. Gordo explains that this is his revenge against Simon – because this has nothing to do with Robyn. His revenge is Simon not being sure, even if it’s just for a split second before he can look his child in the eyes, or in the time before getting a DNA test but just for a moment of not knowing whether his kid is actually his or whether it’s Gordo’s. So from Edgerton’s point of view that’s just awful for Simon right? It’s kind of implied that in the end, especially in the alternate end, everything’s fine and Gordo got his revenge by making Simon feel just darn awful. But despite showing Robyn as a full human being the whole film through the film doesn’t seem to care much for her at the end. We simply get a relieved looking Simon as Robyn is giving him a withering look.
Let’s just take a quick second to do something that Edgerton apparently didn’t: look at this from her point of view. Should Simon tell her, or should she find the DVD with the footage Gordo filmed this is what she has to experience: the knowledge that she was drugged on purpose, the knowledge that she was touched while she was knocked out, that she may have been raped, that the man who did that to her did it to get back at her husband, that it all had nothing to do with her, that the man who did it was one who she had been nice to the entire time, that she has had a man’s hands on her and she has no recollection of it, that he could have done anything to her when the camera was off and she was unconscious, that she, even for a second, thinks that the child she carried for months doesn’t have the father she thought, that anyone would torture her, even for a second, like this just to get back at her arsehole husband. I would never see rape as a punishment, I’d never see it as a punishment to a woman’s husband, and even if it was raping her for spreading a rumour as a teenager I’d still say you’ve gone way too far.
I have made this point a hundred times before and I’ll say it again: Women are not things, owned by men, that can be used as things to be hurt, killed, or ‘broken’ to upset those men. We’re just not, despite what shitty male writers would like to think. There’s this thing that happens when the majority of films are written by men, directed by men, and about men: they usually have a wife/daughter/mother etc. and they usually get killed. When you don’t have an equal amount of films about women then we don’t really see male husbands etc. getting killed for being husbands, or husbands getting raped for being husbands to a female protagonist and so on. Now I happen to think that watching women get killed, raped, abused and so on for the sins of their male family members over and over and over can fuck a girl, or guy, up. But that’s just me.



P.S.

Here’s an ending that doesn’t do this, that fits with the rest of the film, and doesn’t leave the female viewers with a feeling that they don’t matter, that no matter how human they are at the end of the day they’re still less human than their male partner:

Simon gets home, he opens another gift that has been left for him on his porch. He takes it inside and he opens it, it’s a carrier for his new-born son. As he’s unwrapping it he sees something inside it and he takes out three separate gifts. Each gift has a number on it, from 1 to 3. He opens the first one, in it is a key and he realises that it’s the key to his house. Horrified he opens the next package and it’s a CD, he plays it and he hears a recording of some awful things he said about Gordo when he thought he couldn’t hear. Then he opens the third, and the final, gift and it’s a DVD that has play me written on it. So he puts it in the DVD player and sits terrified and furious as the footage shows someone, Gordo, breaking into his house; he watches as the person filming goes into his whole house, as they sit filming his wife at the window, as they film him when he doesn’t realise it. Then it goes to a shot of his drink from a night when he randomly collapsed, a night he has no recollection of. He looks completely shocked and he recoils from the screen in horror as the camera is turned around to reveal Gordo wearing a monkey mask, it’s like something out of his nightmares.
Then the camera pans down and it shows Simon, totally unconscious and lying on his bedroom floor. Gordo sits on top of Simon and strokes his face, his chest and then his hand moves out of shot and Gordo turns the camera back around to himself and he laughs. Simon, utterly terrified, starts pulling at his clothes, trying to tear his own skin off. Then the TV screen goes to black as the DVD finishes, we see Simon’s terrified face in the reflection. Simon screams and punches the TV, it shatters and falls to the floor. Simon runs to the shower and scrubs and scrubs but nothing works. He gets dressed and gets in the car, he drives to the hospital where his wife is. He’s worried that Gordo will go hurt her next. As he gets there he finds his wife’s room is empty, as he goes to look for her he sees Gordo but can’t quite catch him; he runs out of the hospital where he thinks he went, his hair is still wet and he’s freaking out. It’s clear Simon can’t collect his thoughts and is screaming on the inside. Then his phone rings.
We see Gordo stood inside a hospital corridor, watching Simon stand outside and he smiles. He explains to Simon that he isn’t gay, that the rumour ruined his entire life, that it set in motion events that he could never recover from. That he barely survived his Dad trying to kill him, that there is no coming back from knowing your own father wants you dead, and that he hasn’t been able to trust anyone since. He thought that he could turn his life around when he met Simon again, that if he could befriend him – the man who ruined his life - then he could be liked, hell maybe he could even be loved. It was even better when Robyn was nice to him, that she stood up for him, and then he heard Simon insult him, call him a freak, say he was obsessed with Robyn. Then he knew that there was no coming back, no changing who he was, what he was.
So he decided to get his revenge. The rumour that he was gay had always burned in his brain, even as time had been kinder to gay men it hadn’t mattered – that one story that Simon had refused to take back had been the end for him. So he used it against Simon, now he hadn’t actually done anything – or had he? There was no knowing what Gordo had done to him, what he had or hadn’t touched, and he was never going to tell him. He wanted him to feel as violated, as humiliated as he had done when Simon had abused him, insulted him and tortured him for years. He asks if Simon wants to tear his skin off, that if he wants he could ask his Dad to set him alight because he knows how that can really give you a new body. That he was lucky the flames had spared his face, that Simon’s face, his body is perfect, that he was jealous.

Simon screams at him and has no idea what to say, what to do. He shouts down the phone at Gordo to tell him what he did, that he’ll go to the police. Gordo explains that he will too, he knows Simon, and that if he was a bully once then he’s probably ruined other lives too. That he could have fun finding those people and seeing how they feel about Simon. Gordo tells Simon that he never wants to hear from him again, that he should try to be a better man, a better human being for his son. Simon runs back to his wife, embraces her and apologises, promises he’ll be better and he kisses his son on the forehead. Robyn has a look that shows she’s not quite sure if he can be better, but she hides it from him. Gordo walks down the hospital hallway, throwing away the phone and then the credits roll.

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